Half past
ten on a Saturday morning. I'm on my way to the mill on the
Noordendijk to fetch flour. It's cloudy and the streets are wet, but
it doesn't rain. Very soon it may. The trees on the Groenedijk and
those in nearby Merwesteijnpark are changing colour and dropping their
leaves. Autumn has inevitably come. There's hardly anyone on the
streets, it looks like Dordrecht was hastely evacuated apart from one
or two lost souls. Quite a contrast with yesterday when we were still
clinging to the late summer, outdoors at the Villa Augustus, watching
the gardeners quietly going about their work.
I cycle past
my old school on the Groenedijk. It is surrounded by scaffolding and
wrapped in blue rags. It looks like some restoration is on its way.
It's quite a wonder the building is still there. A few hundred yards
further down the fairly new building of the technical college has
completely disappeared. New houses are being built in its place.
Small dwellings looking rather dull. I remember the old building
which still bore marks from the war, large red crosses that indicated
its use as a temporary hospital. It was right across the road from my
primary school in the Bankastraat, the future some of my classmates
were looking forward to. You had to finish grammarschool to be
admitted. My father had a modest position as a civil servant which
meant I was sent to the secondary modern. No questions asked. It
meant a long road towards university: after the secondary modern (mulo in Holland) two years havo (a kind of minor A-level course),
then teacher training college and finally a bachelors and a masters
in history from Utrecht University, after which I took a course in
American studies at the University of Minnesota. Going there proved
to be the most important decision I ever made because it was in
Minneapolis I got to know Stella.
Though there
is hardly any wind the mill is working slowly in a proud way, a
silent but powerful monument. The last of the scores of windmills on
the Dordrecht town walls, painted by artists like Albert Cuyp and Van
Goyen. They determined the skyline which is now dominated and ruined
by highrise buildings on the river banks both at Zwijndrecht and on
this side. To reach the mill I have to lift my bike over a concrete
ridge which reminds one that the Noordendijk is the main dike
protecting the island from both river and sea. When the moment is
there this bit of concrete will decide between disaster or salvation.
I lock my
bike, a sensible habit even though there is no one to be seen, and
enter the mill. There are just one or two customers in the shop
inside. Ik buy flour, sunflower seed and stroopwafels.
These are for my Greek family that dote on them. They are the main
reason for my luggage to be uncomfortably heavy every time I fly to
Salonica. While I strap my shopping bag to the bike I think of my
fiftieth birthday which we celebrated in the mill in 2001 and
particularly of the people present that have died meanwhile. Before I
left the house I heard someone on the radio saying we were all
becoming older and older and that therefore we shouldn't retire at
65. I don't believe a word of it. He may have been talking about my
parents' generation, but when I look at mine and count on my fingers the many friends and relatives that died young, I need at least
a second pair of hands. While I cycle back towards home it begins to
rain softly. It's one of the rare moments that my mood seems in
perfect harmony with the weather.
©C.A.
Klok